dg resource directory
The act of submitting creative work for a dramatist is as necessary as finishing it. But the process of finding the right submission opportunity can feel overwhelming. This is why, for more than 20 years, the Dramatists Guild has compiled a submissions and opportunities database, and published a full directory of theatres, agents, festivals, contests, workshops, retreats, and other submission opportunities to help make the life of the dramatist an easier one.

This functionality is part of suite of resources designed to help playwrights, composers, lyricists and librettists.  

Only active members or subscribers of the Guild may use the Resource Directory.

Update or Submit a New Listing Use our submission form to submit new listings or update a current one.

Not a Member? Join today and learn how membership in the only trade association for playwrights, composers, lyricists and librettists can serve your career.

Do you represent a Theatre? Become an Affiliate or Host Theatre.

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RELATED ORGANIZATIONS

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  • The League of Professional Theatre Women is a membership non-profit organization that champions women in theatre.
  • ITI-U.S. assists international theatre professionals and scholars by providing information about American theatre practice, introductions to American theatre professionals, and help in planning productive and appropriate visits to the U.S. Advice, information, and contacts are similarly offered to American theatre professionals traveling and working abroad
  • Founded in 1972, A.R.T./New York assists over 380 member theatres in managing their theatre companies effectively so they may realize their rich artistic visions and serve their diverse audiences well. Over the years, A.R.T./New York has earned a reputation as a leader in providing progressive services to our members—from shared office and rehearsal spaces, to the nation's only revolving loan fund for real estate, to technical assistance programs for emerging theatres—which have made our organization an expert in the needs of the New York City nonprofit theatre community. A.R.T./New York...
  • Theatre Development Fund, a not-for-profit organization, was created with the conviction that the live theatrical arts afford a unique expression of the human condition that must be sustained and nurtured. TDF’s twofold mission is to identify and provide support, including financial assistance, to theatrical works of artistic merit and to encourage and enable diverse audiences to attend live theatre and dance in all their venues.
  • Theatre Communications Group (TCG), the national organization for the American theatre, was founded in 1961 with a grant from the Ford Foundation to foster communication among professional, community, and university theatres.
  • EMERGENCY ASSISTANCE Musicians who have made a living playing blues, jazz and roots music know they can call our office at any time or walk through our doors for help in solving an emergency. We average 30 individual musician emergency cases a day and approximately 9,000 assists every year. We prevent homelessness with housing assistance, keep artists healthy with pro bono medical care and provide financial support that keeps the lights on and food on the table. CREATING WORK OPPORTUNITIES All any musician ever wants is that next gig. We create dignified paid work opportunities for artists...
  • Founded by playwright Darrel Alejandro Holnes, the Greater Good Commission offers $500 mini grants to Latinx playwrights to write short plays, innovative in form, that reflect the times. The commission’s second round will focus on LGBTQIA+ Latinx- identifying playwrights. The year’s commissioned plays will be presented at the second annual Greater Good Theater Festival produced by the Latinx Playwrights Circle (LPC) and Pregones Theater/PRTT. The festival will be streamed online in the fall and the plays will later live in digital archives.
  • Est. 2002. Fractured Atlas empowers artists, arts organizations, and other cultural sector stakeholders by eliminating practical barriers to artistic expression, so as to foster a more agile and resilient cultural ecosystem.
  • Est. 2004. The New York Musical Festival nurtures the creation, production, and public presentation of stylistically, thematically, and culturally diverse new musicals to ensure the future vitality of musical theater.
  • Almasi is a Zimbabwean American Dramatic Arts Collaborative Organization. Our vision is to professionalize the Dramatic Arts industry in Zimbabwe through education, facilitation, and collaboration with professional American Dramatic Artists and Artistic Institutions.
  • American Theatre Wing invests in brave work, supports creative growth, and celebrates excellence to bring diverse stories to our national culture through theatre. Founded in 1917 on the eve of America’s entry into World War I by seven suffragists, American Theatre Wing has spent a century using theatre to advance human experience, empathy and cultural growth like never before. We provide grants and scholarships, connect talent at all stages with educational and professional opportunities, and create content that illuminates and preserves theatre. We award excellence and foster artistry by...
  • New York, NY
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    Theatrical Rights Worldwide (TRW) opened its doors in October 2006, proudly representing musicals from Broadway, Off-Broadway, and the West End, as well as shows originating in regional theatres and elsewhere. It is our mission to cultivate and introduce new work along with extending the production life of musicals and plays to all theatrical marketplaces. We license productions to a broad range of customers, including elementary, middle and high schools or primary and secondary schools; colleges and universities, community, civic, amateur and religious organizations; summer stock and dinner...