The Season of Reemergence Issue
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Masthead of the Season of Reemergence Issue
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The Season of Reemergence
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DG Glossary: World Premiere
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Lisa Rafferty: What I’m Teaching Now
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Friends We’ll Miss
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Hawai’i: Theatre Across Our Pae ‘aina
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Southern California: Institutional Changes
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Broadway Debut: Pass Over with Antoinette Chinonye Nwandu
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Northern California: New Beginnings and New Voices
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Broadway Show: Mr. Saturday Night with Amanda Green
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Pacific Northwest: Making Memories
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Southwest: Transition and Transformation
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Broadway Show: Paradise Square with Craig Lucas
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Texas: Taking Steps Forward
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Broadway Show: Flying Over Sunset with James Lapine
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Iowa: Back to Work
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Broadway Show: Mr. Saturday Night with Jason Robert Brown
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Twin Cities: Emerging From the Chrysalis
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Ohio: Playwright Producer Faye Sholiton
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Broadway Show: Diana: The Musical with Joe DiPietro
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Chicago: A Comeback Season
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Michigan: More Connected Than Ever
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Broadway Debut: Thoughts of a Colored Man with Keenan Scott II
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Broadway Show: MJ the Musical and Clyde’s with Lynn Nottage
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Kentucky: A Season of Zoom New Play Readings with Teri Foltz and Kentucky Playwrights Workshop
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Gulf Coast: New Work Throughout the Gulf
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Philadelphia: A Shot in The Arm for New Play Development
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Broadway Debut: Paradise Square with Masi Asare
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Puerto Rico: Honran a Luis Rafael Sánchez (Honoring Luis Rafael Sánchez)
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Broadway Show: Flying Over Sunset with Michael Korie
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Atlanta: An Interview with SM Shephard-Massat
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DC: Time of Renewal
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Broadway Debut: A Strange Loop with Michael R. Jackson
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Broadway Show: Paradise Square with Nathan Tysen
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New York: Reopening and Reconnecting
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Broadway Debut: POTUS with Selina Fillinger
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New England – West: Bold Moves
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Broadway Show: Flying over Sunset with Tom Kitt
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New England – East: New Work in the North
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Broadway Show: The Minutes with Tracy Letts
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The 2021 New Media Survey Report
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Are You Getting Produced in Your Area? A Call to Action from the Regional Affairs Committee
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Dramatists Diary – July/Aug 2022
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New Guild Members as of May 15, 2022
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Classified Ads – July/Aug 2022
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Christine Toy Johnson: Why I Joined the Guild
What is a favorite memory from this season?
Last week we went into the studio to record the cast album of Paradise Square. Because dance is such an integral part of the score, we took time to record body percussion and tap dancing on several songs. This was a first for me and I can’t wait to hear the final product. I think it is going to elevate the recording and give the listener a better sense of the miraculous dancing that happens on stage every night.
What is a great bit of advice about playwriting you’ve given or received?
WRITE the first song so you can get to the RIGHT song.
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is a Grammy and Olivier nominated lyricist and occasional bookwriter whose work includes: Paradise Square, Amélie, Tuck Everlasting, A Killer Party, Fugitive Songs, The Burnt Part Boys, and Dreamland (Or a musical riff on Shakespeare’s Midsummer set during the declassification of Area 51). www.nathantysen.com IG: @DoctorPickles