Vol. 21 No. 2
Nov/Dec 2018
The Musical Theatre Issue (2018)
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Masthead of the Musical Theatre Issue (2018)
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Editor’s Notes on The Musical Theatre Issue (2018)
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Dear Dramatist: November/December 2018
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What Rhyme Do You Admire from a Musical Theatre Lyric?
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Adrienne Kennedy: Ten Questions
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The Craft with Lindsey Ferrentino
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How Do You Approach Bookwriting a Musical as Opposed to a Play?
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The Book of Norman, Part 2
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What Should Dramatists Know About Working with Orchestrators?
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On Orchestrations
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When You're Writing Lyrics, How Important is Finding the Perfect Rhyme?
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Rhyme with Sondheim
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The Assignment Conspiracy: Dramatists & the So-Called “Work-Made-For-Hire”
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From the Desk of DGF: The Musical Theatre Issue
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Atlanta: Essential Theatre
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Austin/San Antonio: Dr. Lisa B. Thompson
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Baltimore: Stephanie Ybarra
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Colorado: Theater 29
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Kentucky: Bill McCann
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Los Angeles: A Short Primer on Rewriting
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Michigan: How to Write the Political Play
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Minneapolis/St. Paul: Janet Preus
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New England – South: Championing Fellow Dramatists
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Upstate New York: Two New Regional Ambassadors
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North Carolina: After the Count
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Ohio: Regional Survey and Member Spotlight
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Portland: The Event of a Lifetime
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Utah: Great Salt Lake Fringe Festival
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Dramatists Diary – November/December 2018
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Classified Ads – November/December 2018
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New Guild Members as of September 15, 2018
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Daniel Goldfarb: Why I Joined the Guild
I’m not sure what’s more important for a playwright to have: a welcoming artistic family, or a physical venue in which to workshop and produce plays. Both are vital, right? And now a handful of our dedicated Colorado writers don’t have to decide between the two because Theater 29 is providing both.
How’d that happen?
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Josh Hartwell
is an Artistic Company Member at Curious Theatre Company, and an Ensemble Member at Boulder Ensemble Theatre Company (BETC). An actor and playwright, Hartwell was seen in Clybourne Park (Denver Post Ovation Award for “Best Actor in a Comic Role”) at Curious in 2011.
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