The Money Issue
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Masthead of the Money Issue
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Editor’s Notes on the Money Issue
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Calling All Theatre Writers: Join the DG Compensation Study
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DG Glossary: Financial Terms
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David Simpatico: Ten Questions
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A Serious Act: Are You a Professional Dramatist or Not?
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Professional Theatre Writer Q&A
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Compensation, Part One: Commissions, Advances, Per Diem, Royalties
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CarPER DIEM: How Authors Working in Theatre [do not] Get Paid for Their Time
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Compensation, Part Two: Subsidiary Markets
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Monetizing Your Music
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Compensation, Part Three: Music
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What’s the Deal (Memo)?
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Dramatizing Money
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10 (Financial) Words to Know From a CPA
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A New Home for DGF and More Free Space for Writers
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Financial Resources for Dramatists
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Guild News – November/December 2022
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Dramatists Diary – November/December 2022
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New Guild Members as of November 1, 2022
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Classified Ads - November/December 2022
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Adam Gwon: Why I Joined the Guild
Video recorded June 16, 2022, this session focuses on music compensation for theatre composers and lyricists.
Panelists Kirsten Childs, Sean Flahaven, and Jeanine Tesori talk about the various revenue streams available to music theatre writers including Grand Rights, Small Rights, publishing, royalties, licensing, recording, and more.
Related: The Road to Riches: Publishing & Licensing
wrote The Bubbly Black Girl Sheds Her Chameleon Skin (Obie, Kleban), Bella: An American Tall Tale (Frederick Loewe, Kennedy Prize Finalist, Audelco), Fly (with Rajiv Joseph and Bill Sherman), Funked Up Fairy Tales, Miracle Brothers (Vineyard Theatre), Edge of Night (Playwrights Horizons Soundstage podcast series), and Family Portraits: Aunt Lillian (Vineyard Theatre) and the upcoming world premiere adaptation of The Three Musketeers (The Acting Company, Oregon Shakespeare Festival).
is a Grammy and Tony Award winning music and theatre producer, writer, composer, orchestrator, and conductor. He is Chief Theatricals Executive of Concord, now the fifth largest music company in the world.
is the most prolific and honored female theatrical composer in history. Her Broadway credits include Fun Home, Violet, Caroline, or Change, Shrek, and Thoroughly Modern Millie. Opera credits include Blue, A Blizzard on Marblehead Neck, The Lion, the Unicorn and Me, and a commission from the Metropolitan Opera. She won her second Tony Award for Best Original Score for Kimberly Akimbo last season.
is an entertainment attorney. He’s been with the Dramatists Guild of America since 1997, and their Co-Executive Director and general counsel since June 2005. He is the Treasurer for the Dramatists Legal Defense Fund.