Vol. 24 No. 4
Mar/Apr 2022
The Innovation Issue
Return to Issue Archive-
Masthead of The Innovation Issue
-
Editor’s Notes on The Innovation Issue
-
Dear Dramatist – March/April 2022
-
DG Glossary: Work For Hire
-
Jason Robert Brown: Ten Questions
-
Marsha Norman: What I’m Teaching Now
-
The Listening Party
-
Innovative Dramatists
-
Innovation is Nothing New
-
Midnight Oil Collective
-
Dreaming the Queer Future
-
How Should We Go On? The Great Realignment Begins
-
New Works Now In The Public Domain
-
Atlanta: Staying Optimistic
-
Kentucky: Roots of the Bluegrass New Play Award
-
Michigan: A More Inclusive Theatre Community
-
New England – West: Ample Innovation
-
The Carolinas: Crossing Over Into 2022
-
Ohio: A Cincinnati Update
-
Oregon: Whipping Up a Flurry of Creativity
-
Philadelphia: The Hand that Holds the Quill
-
Puerto Rico: The Santaliz Archive (Archivo Santaliz)
-
California – South: Art in the Time of Omicron
-
Twin Cities: A Certain Solidarity
-
New York State: Hudson Valley & Capital Region Funding Roundtable
-
Dramatists Diary – March/April 2022
-
New Guild Members as of January 15, 2022
-
Guild News – March/April 2022
-
Classified Ads – March/April 2022
-
Nikkole Salter: Why I Joined the Guild
Last fall, I stood on a college stage in Clarksville, Arkansas and told stories. I’d been booked for the lecture/performance series in 2019 and, after rescheduling several times, it happened—in person, not livestreamed or high-tech. There were about 150 people in the same room at the same time, and I was only related to twenty of them!
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!
Joey Stocks
was born into an Arkansas newspaper family. He strayed into theatre as a performer before joining the Guild in August 2011 as Director of Publications and Editor of The Dramatist.
Related Dramatist(s)
Tags