Vol. 24 No. 4
Mar/Apr 2022
The Innovation Issue
Return to Issue Archive-
Masthead of The Innovation Issue
-
Editor’s Notes on The Innovation Issue
-
Dear Dramatist – March/April 2022
-
DG Glossary: Work For Hire
-
Jason Robert Brown: Ten Questions
-
Marsha Norman: What I’m Teaching Now
-
The Listening Party
-
Innovative Dramatists
-
Innovation is Nothing New
-
Midnight Oil Collective
-
Dreaming the Queer Future
-
How Should We Go On? The Great Realignment Begins
-
New Works Now In The Public Domain
-
Atlanta: Staying Optimistic
-
Kentucky: Roots of the Bluegrass New Play Award
-
Michigan: A More Inclusive Theatre Community
-
New England – West: Ample Innovation
-
The Carolinas: Crossing Over Into 2022
-
Ohio: A Cincinnati Update
-
Oregon: Whipping Up a Flurry of Creativity
-
Philadelphia: The Hand that Holds the Quill
-
Puerto Rico: The Santaliz Archive (Archivo Santaliz)
-
California – South: Art in the Time of Omicron
-
Twin Cities: A Certain Solidarity
-
New York State: Hudson Valley & Capital Region Funding Roundtable
-
Dramatists Diary – March/April 2022
-
New Guild Members as of January 15, 2022
-
Guild News – March/April 2022
-
Classified Ads – March/April 2022
-
Nikkole Salter: Why I Joined the Guild
The Dramatists Guild is delighted to introduce two new members of the Guild staff, our new Digital Graphic Designer Lorenzo Mohammed and our DG Copyright Management associate Becca Glantz.
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!
Related Dramatist(s)
Related Organization(s)