The Innovation Issue
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Masthead of The Innovation Issue
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Editor’s Notes on The Innovation Issue
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Dear Dramatist – March/April 2022
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DG Glossary: Work For Hire
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Jason Robert Brown: Ten Questions
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Marsha Norman: What I’m Teaching Now
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The Listening Party
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Innovative Dramatists
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Innovation is Nothing New
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Midnight Oil Collective
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Dreaming the Queer Future
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How Should We Go On? The Great Realignment Begins
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New Works Now In The Public Domain
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Atlanta: Staying Optimistic
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Kentucky: Roots of the Bluegrass New Play Award
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Michigan: A More Inclusive Theatre Community
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New England – West: Ample Innovation
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The Carolinas: Crossing Over Into 2022
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Ohio: A Cincinnati Update
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Oregon: Whipping Up a Flurry of Creativity
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Philadelphia: The Hand that Holds the Quill
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Puerto Rico: The Santaliz Archive (Archivo Santaliz)
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California – South: Art in the Time of Omicron
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Twin Cities: A Certain Solidarity
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New York State: Hudson Valley & Capital Region Funding Roundtable
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Dramatists Diary – March/April 2022
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New Guild Members as of January 15, 2022
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Guild News – March/April 2022
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Classified Ads – March/April 2022
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Nikkole Salter: Why I Joined the Guild
Joey Stocks: It could be said that writers are innovators by nature because you routinely create characters, context, relationships, sometimes languages, and even whole worlds in your art. And then in the midst of COVID-19, dramatists have had one of the signature ingredients of theatre—the gathering of both audiences and artists in the same space at the same time—suspended. Or at least so it seemed. These three scrappy and resourceful theatre writers put their well-practiced powers of innovation to use.
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is a playwright, screenwriter, librettist, and lyricist. He’s been dubbed “feisty as hell” by The New Yorker and “a great modern American playwright” by Broadway World. His award-winning work in the theatre has been done all over the US and examines the volatile intersections of class, race, sexuality, and nationalism in America. Gabriel has received numerous fellowships including the DGF Fellowship and Hodder Fellowship from Princeton. He’s a Visiting Assistant Professor of Theatre/English at Muhlenberg College, an alum of The Civilians R&D Group, and a Usual Suspect at New York Theatre Workshop. MFA: UT-Austin. www.GabrielJasonDean.com
is an international author, performance poet, art activist, playwright, and member of the Dramatists Guild. Plays, short works, and books include Seeking Silence, Cartons of Ultrasounds, Too Late to Apologize, They’ll Neglect to Tell You, #RM2B, The Secret Life of Wonder: a prologue in G, AGAIN, #SuiteReality, “don’t wanna dance with ghosts...”, Sugar Lumps & Black Eye Blues, Confectionately Yours, Mahogany Nectar, Lil Blaek Book: all the long stories short, and The Hotel Haikus.
is a playwright and new media artist. Career highlights include scripting a ride for Tokyo Disneyland, writing a musical dance-a-thon to the death with Dave Malloy, and meeting Václav Havel. She drives a pink 1972 Chevy Nova. CRUSH is on YouTube and coming to the Emmy App. www.KristaKnight.com