Vol. 23 No. 5
May/Jun 2021
The Radical Hospitality Issue
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Masthead of the Radical Hospitality Issue
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Editor’s Notes on The Radical Hospitality Issue
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Lucy Wang: Ten Questions
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Stephen Kaplan: What I'm Teaching Now
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Douglas Post: What Copyright Means to Me
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What Does Radical Hospitality Mean to You?
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On Radical Hospitality, Part One
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Dramatists in Times Square
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On Radical Hospitality, Part Two
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3 Things You Can Do
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The Walking Plays
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California - North: Jeannie Barroga
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Chicago: Takeaways for a Post-Pandemic Theatre
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Dallas/Ft. Worth: A Conversation with Anyika McMillan-Herod
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DC: Meeting the Challenging Moment
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Houston: Writers Weathering The Storm
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Kansas City/St. Louis: Missouri Playwrights Keep Hope (and their Work) Alive During COVID
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Minneapolis/St. Paul: Let's Make Art
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New England - East: A Pandemic-Infused Winter
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New Jersey: Updates from the Garden State
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New York City: A Conversation With Ty Defoe
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Seattle: Isolation / Collaboration
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From the Desk of the DGCM: Who Do I Leave My Intellectual Property To?
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Arthur Kopit: Why I Joined the Guild
Kansas City/St. Louis: Missouri Playwrights Keep Hope (and their Work) Alive During COVID
It has been more than a year since COVID-19 first struck the United States and our theatre community. Now, as we are nearing the light at the end of the tunnel, we asked Missouri playwrights what sources of illumination they found in the darkness – that is, what were the most satisfying creative experiences they have had during COVID.
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