Cover of the March/April 2022 issue of The Dramatist
TABLE OF CONTENTS
The Listening Party
  • Photo of The Listening Party audience at Contemporary American Theater Festival
    The Listening Party audience at Contemporary American Theater Festival. Photo by Seth Freeman.
  • Photo of The Listening Party at Contemporary American Theater Festival
    Question and answer session at Contemporary American Theater Festival's listening party. Photo by Seth Freeman.
  • Photo of The Listening Party at Contemporary American Theater Festival
    A full parking lot at Contemporary American Theater Festival's listening party. Photo by Seth Freeman.

It was a warm July night in a parking lot in Shepherdstown, West Virginia. Multicolored lights from dozens of LED headphones glittered in the darkness. It looked like a silent rave from the distance, minus a DJ on the 1s and 2s.

The crowd had come out and donned headphones to listen to the audiocast of my play The House of the Negro Insane, produced by the Contemporary American Theater Festival. While the pandemic was still raging and most theatres were still shuttered, CATF persevered, finding innovative ways to bring stories to the people.

Sign In To Access This Article

Subscribe to gain full access to The Dramatist Issue Archive.

Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.

Guild Members receive our magazine as a benefit of membership!

View Options

 

 
 
 
Photo of Terence Anthony
Terence Anthony

is a writer for theatre, TV, and comic books based in Los Angeles, CA. He is currently a staff writer on Bass Reeves, a series on Paramount+. The world premiere of his play The House of the Negro Insane at the Contemporary American Theater Festival is slated for July, 2022.