The Musical Theatre Issue (2018)
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Masthead of the Musical Theatre Issue (2018)
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Editor’s Notes on The Musical Theatre Issue (2018)
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Dear Dramatist: November/December 2018
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What Rhyme Do You Admire from a Musical Theatre Lyric?
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Adrienne Kennedy: Ten Questions
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The Craft with Lindsey Ferrentino
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How Do You Approach Bookwriting a Musical as Opposed to a Play?
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The Book of Norman, Part 2
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What Should Dramatists Know About Working with Orchestrators?
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On Orchestrations
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When You're Writing Lyrics, How Important is Finding the Perfect Rhyme?
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Rhyme with Sondheim
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The Assignment Conspiracy: Dramatists & the So-Called “Work-Made-For-Hire”
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From the Desk of DGF: The Musical Theatre Issue
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Atlanta: Essential Theatre
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Austin/San Antonio: Dr. Lisa B. Thompson
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Baltimore: Stephanie Ybarra
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Colorado: Theater 29
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Kentucky: Bill McCann
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Los Angeles: A Short Primer on Rewriting
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Michigan: How to Write the Political Play
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Minneapolis/St. Paul: Janet Preus
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New England – South: Championing Fellow Dramatists
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Upstate New York: Two New Regional Ambassadors
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North Carolina: After the Count
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Ohio: Regional Survey and Member Spotlight
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Portland: The Event of a Lifetime
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Utah: Great Salt Lake Fringe Festival
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Dramatists Diary – November/December 2018
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Classified Ads – November/December 2018
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New Guild Members as of September 15, 2018
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Daniel Goldfarb: Why I Joined the Guild
I dread rewriting.
Rewriting is reimagining. It is mining. And trusting. And believing. It is rolling up one’s sleeves and being willing to cast about blind for a while. It is discarding the concrete to manifest out of the ether what might be better. It’s hard pick ‘n’ ax work. As the poet John Gregory Dunne said, “Writing is manual labor of the mind.”
Truth.
So I turned to my Southern California fellows for their accumulated wisdom on rewriting. I asked them what word or words popped into their heads when they heard the term “rewrite”? What they offered was gold.
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’s plays include Dear ONE: Love & Longing in Mid-Century Queer America, Coming Attractions, and Bluebonnet Court. He is the winner of the GLAAD Award for Outstanding Los Angeles Theatre and is a Lambda Literary Award Finalist.