The Motivation Issue
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Masthead of the Motivation Issue
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Editor’s Notes on The Motivation Issue
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Remembering Stephen Sondheim
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Keenan Scott II: Ten Questions
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Anita Gonzalez: What I'm Teaching Now
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On Motivation
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A Recipe for Motivation
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A List – Jan/Feb 2022
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Writers Motivating Writers
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End of Play 2022
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From the Desk of Dramatists Guild Institute – Jan/Feb 2022
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From the Desk of Director of Council Programs – Jan/Feb 2022
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California – North: Playwriting as Political Action
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Chicago: Reflections On Online Development Processes
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Dallas/Fort Worth: Bring the Play to Life
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DC: Making Up Stories with Bob Bartlett
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Florida: We’re Getting Back to Business
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Gulf Coast: Returning to the Stage
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Houston: The Slow Return to the Houston Stage
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New England – West: Being Together
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New Jersey: Out of the Confines of Zoom
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Puerto Rico: Uniendo Nuestras Voces (Uniting Our Voices)
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Southwest: We Persist
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Tennessee: In Memory of Zack Allen
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Washington State: Hidden Venues
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Dramatists Diary – Jan/Feb 2022
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New Guild Members as of November 15, 2021
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Guild News – Jan/Feb 2022
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Classified Ads – Jan/Feb 2022
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Larry Dean Harris: Why I Joined the Guild
At the beginning of the pandemic, it was difficult to begin writing a new play, because I was living on the Navajo reservation, and the news channels and online newspapers kept telling the world that COVID could make tribes extinct or lose their language because our elders were dying from the virus. I remember eating cereal for breakfast and turning on the TV and hearing this from major news channels, but my family was surviving, our tribe was fighting, and we never lost hope. Communities came together and helped each other slay this modern-day monster.
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is a Diné playwright, screenwriter, and dramaturg from Dził Yijin, Arizona. She is from the Yé’ii Dine’é Táchii’nii (Giant People) clan, and her maternal grandfather is from the Deeshchíí’nii (Start of the Red Streak People) clan.
is a playwright and composer currently pursuing an MFA in Playwriting at the Iowa Playwrights Workshop. Their work focuses mainly on the behavior of goodness, the reiterative function of bodies across time, and the interstitial space—inherently coded as queer—in theatrical form. www.jeremygeragotelis.com
is an international author, performance poet, art activist, playwright, and member of the Dramatists Guild. Plays, short works, and books include Seeking Silence, Cartons of Ultrasounds, Too Late to Apologize, They’ll Neglect to Tell You, #RM2B, The Secret Life of Wonder: a prologue in G, AGAIN, #SuiteReality, “don’t wanna dance with ghosts...”, Sugar Lumps & Black Eye Blues, Confectionately Yours, Mahogany Nectar, Lil Blaek Book: all the long stories short, and The Hotel Haikus.
is a playwright, performer, and visual artist from Portland, Oregon. Her plays have been published by Samuel French and developed with LineStorm Playwrights at Artists Repertory Theatre. In 2021, she created a podcast based on her solo show True Love and Other Noncommunicable Diseases with Bag & Baggage Productions. briannabarrett.com
is an award-winning playwright, director, and actor. He is currently the Andrew W. Mellon Foundation Playwright-in-Residence at Mosaic Theater. His play, Dear Mapel, a series of letters to his estranged, deceased father, will receive its world premiere production at Mosaic in January 2022.