The Musical Theatre Issue (2018)
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Masthead of the Musical Theatre Issue (2018)
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Editor’s Notes on The Musical Theatre Issue (2018)
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Dear Dramatist: November/December 2018
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What Rhyme Do You Admire from a Musical Theatre Lyric?
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Adrienne Kennedy: Ten Questions
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The Craft with Lindsey Ferrentino
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How Do You Approach Bookwriting a Musical as Opposed to a Play?
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The Book of Norman, Part 2
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What Should Dramatists Know About Working with Orchestrators?
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On Orchestrations
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When You're Writing Lyrics, How Important is Finding the Perfect Rhyme?
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Rhyme with Sondheim
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The Assignment Conspiracy: Dramatists & the So-Called “Work-Made-For-Hire”
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From the Desk of DGF: The Musical Theatre Issue
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Atlanta: Essential Theatre
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Austin/San Antonio: Dr. Lisa B. Thompson
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Baltimore: Stephanie Ybarra
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Colorado: Theater 29
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Kentucky: Bill McCann
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Los Angeles: A Short Primer on Rewriting
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Michigan: How to Write the Political Play
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Minneapolis/St. Paul: Janet Preus
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New England – South: Championing Fellow Dramatists
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Upstate New York: Two New Regional Ambassadors
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North Carolina: After the Count
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Ohio: Regional Survey and Member Spotlight
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Portland: The Event of a Lifetime
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Utah: Great Salt Lake Fringe Festival
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Dramatists Diary – November/December 2018
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Classified Ads – November/December 2018
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New Guild Members as of September 15, 2018
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Daniel Goldfarb: Why I Joined the Guild
At the Kennedy Center Summer Playwriting Intensive in 2010, the indomitable Gary Garrison gave an assignment to write using Louisiana as inspiration. Score! You see, to that point, New Orleans had been my second home for fifteen years so writing her decadence and her decay was what I loved. However, sitting in my room during another 2 am writing session, I remembered why we were at the intensive: to challenge ourselves on our writing journey.
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writes stage plays that transport her audiences into the magic embrace of the theatre...and beyond. Charlene’s plays have been produced and awarded from New York to Los Angeles, Great Britain to Canada. Hansen Publishing Group publishes Charlene's play collection: Bones of Home and Other Plays. She is co-producer of the Association of Theatre in Higher Education Judith Royer Award of Excellence in Playwriting. She teaches playwriting/theatre at University of Nebraska Omaha, is a founding member of Boston’s Proscenium Playwrights, a core member of NYC’s 9th Floor Playwrights, a member of The Playwrights Center, and Connecticut Regional Representative of The Dramatists Guild of America.