Vol. 24 No. 4
Mar/Apr 2022
The Innovation Issue
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Masthead of The Innovation Issue
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Editor’s Notes on The Innovation Issue
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Dear Dramatist – March/April 2022
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DG Glossary: Work For Hire
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Jason Robert Brown: Ten Questions
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Marsha Norman: What I’m Teaching Now
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The Listening Party
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Innovative Dramatists
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Innovation is Nothing New
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Midnight Oil Collective
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Dreaming the Queer Future
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How Should We Go On? The Great Realignment Begins
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New Works Now In The Public Domain
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Atlanta: Staying Optimistic
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Kentucky: Roots of the Bluegrass New Play Award
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Michigan: A More Inclusive Theatre Community
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New England – West: Ample Innovation
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The Carolinas: Crossing Over Into 2022
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Ohio: A Cincinnati Update
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Oregon: Whipping Up a Flurry of Creativity
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Philadelphia: The Hand that Holds the Quill
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Puerto Rico: The Santaliz Archive (Archivo Santaliz)
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California – South: Art in the Time of Omicron
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Twin Cities: A Certain Solidarity
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New York State: Hudson Valley & Capital Region Funding Roundtable
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Dramatists Diary – March/April 2022
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New Guild Members as of January 15, 2022
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Guild News – March/April 2022
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Classified Ads – March/April 2022
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Nikkole Salter: Why I Joined the Guild
January 1, 2022, was Public Domain Day, the day each year when copyrights expire and new works enter the public domain. The “Progress Clause” of the U.S. Constitution established the legal basis for federal copyright law, and it did so in order to encourage the progress of our society, to incentivize the creation of new works that would eventually enrich the public domain and be accessible to everyone. So, each work entering the public domain is an example of how that purpose continues to be fulfilled.
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Ralph Sevush, Esq.
is an entertainment attorney. He’s been with the Dramatists Guild of America since 1997, and their Co-Executive Director and general counsel since June 2005. He is the Treasurer for the Dramatists Legal Defense Fund.