The Reality Check Issue (2018)
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Masthead of the Reality Check Issue (2018)
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Why Isn't the Guild a Labor Union?
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Dear Dramatist - September/October 2018
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Annalisa Dias: Ten Qeustions
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Phillip DePoy: The Craft
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Survival Jobs
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The Big "What Now?" Part 2
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On Writers Groups
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Working Without An Agent
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Suggestions for Staged Readings
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Directing Your Own Work
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Freelance Isn't Free
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Rejection Letters That Never Made It Into Print
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Advice to Young Theatre Composers
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Copyright Advocacy: Between Never and Forever
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From the Desk of DGF: What’s the Foundation?
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Chicago: Can Conversation Change the World?
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Dallas/Fort Worth: Will Power
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DC: Honoring Howard Shalwitz
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Gulf Coast: The NOLA Project
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Houston: Texas Playwrights Festival
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Northern New England: Contracts for Writers
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New Jersey: Joel Stone
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San Francisco: The Rest I Make Up
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Seattle: Out of Grief Comes Art
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Southwest: New Work!
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Tennessee: How does a playwright get from New York to Tennessee?
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Guild News – September/October 2018
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Dramatists Diary – September/October 2018
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New Guild Members as of July 15, 2018
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Why I Joined the Guild with Lloyd Suh
We had three terrific events in Boston this spring. The first was a workshop on Contracts for Writers and Small Fringe Theatres, in partnership with the New England New Play Alliance. This is the size of company where most New England writers are getting their works staged, so it seemed important to educate not just ourselves, but also our collaborators on fair contracts for productions, commissions, and collaborations.
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is a playwright, novelist, screenwriter, and producer. His plays, which have been produced in every state and fifteen countries, include Mox Nox, Drift, Lab Rats, Blood on the Snow, Distant Neighbors, Chore Monkeys, and Blinders. He’s been a Playwriting Fellow with the Huntington Theatre Company and has received fellowships from the Boston Foundation/Brother Thomas Fund and the Massachusetts Cultural Council, and he was the artist-in-residence at Mt. Auburn Cemetery. He’s the producing artistic director of Plays in Place, a company specializing in creating site-specific work for museums and historic sites.