The Season In Review Issue 2020-2021
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Masthead of the Season in Review 2020/2021 Issue
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Editor’s Notes on the Season In Review 2020-2021 Issue
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Why Is There No Print Edition of The Season in Review Issue?
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Dear Dramatist: July/August 2021
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Vickie Ramirez: Ten Questions
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Carolyn Dunn, PhD: What I'm Teaching Now
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Hawai’i Season in Review 2020/21
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California - South Season in Review 2020/21
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California - North Season in Review 2020/21
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Oregon Season in Review 2020/21
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Washington State Season in Review 2020/21
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Utah Season in Review 2020/21
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Austin/San Antonio Season In Review 2020/21: A Season (To End All Seasons!) In the Rearview
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Dallas/Ft. Worth Season in Review 2020/21
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Houston Season in Review 2020/21
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Minneapolis/St. Paul Season in Review 2020/21
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Chicago Season in Review 2020/21: A Season in Transition
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Michigan Season in Review 2020/21
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Kentucky Season in Review 2020/21
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Gulf Coast Season in Review 2020/21
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Puerto Rico Season in Review 2020/21: Colaborando a Través De Los Desafíos
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Florida Season in Review 2020/21
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Atlanta Season in Review 2020/21
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North Carolina Season in Review 2020/21
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DC Season in Review 2020/21
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Pittsburgh Season in Review 2020/21
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Philadelphia Season in Review 2020/21: Empty Stages, Full Schedules
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New Jersey Season in Review 2020/21
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New York State Season in Review 2020/21
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New England West Season in Review 2020/21
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New England East Season in Review 2020/21
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London, UK Season in Review 2020/21
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Classified Ads - July/August 2021
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Dramatists Diary: July/August 2021
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New Guild Members as of May 15, 2021
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What the Guild Means to Me with Christine Toy Johnson
In the year that was the Big Pivot, Oregon dramatists have created brave, bold new work. This feature will highlight just a few examples of Oregon-based dramatists and some of the Oregon venues that featured them. It will also speak to the myriad ways we found to tell stories, in what was a challenging year for our communities. Police brutality and protests shook the night on our city streets. Wildfires raged, blotting the sun, making the air unbreathable for weeks. Yet in this hard time, artists found new capacity to connect with each other and with audiences.
Here are a few highlights.
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(She/Her/Hers) is an award-winning playwright who has productions across the U.S., U.K., Canada, and Asia, publications in lots of nice literary journals, and recent invitations to the Inge Theatre Festival, the Midwestern Dramatists Center, the Mid-America Theater Conference, the American Association for Theatre in Higher Education New Play Development Series, and the Sewanee Writers’ Conferences, as well as the Kennedy Center for the Performing Arts Playwriting Intensive. She and her family live in Oregon. www.rachaelcarnes.com