The Innovation Issue
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Masthead of The Innovation Issue
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Editor’s Notes on The Innovation Issue
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Dear Dramatist – March/April 2022
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DG Glossary: Work For Hire
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Jason Robert Brown: Ten Questions
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Marsha Norman: What I’m Teaching Now
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The Listening Party
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Innovative Dramatists
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Innovation is Nothing New
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Midnight Oil Collective
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Dreaming the Queer Future
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How Should We Go On? The Great Realignment Begins
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New Works Now In The Public Domain
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Atlanta: Staying Optimistic
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Kentucky: Roots of the Bluegrass New Play Award
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Michigan: A More Inclusive Theatre Community
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New England – West: Ample Innovation
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The Carolinas: Crossing Over Into 2022
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Ohio: A Cincinnati Update
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Oregon: Whipping Up a Flurry of Creativity
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Philadelphia: The Hand that Holds the Quill
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Puerto Rico: The Santaliz Archive (Archivo Santaliz)
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California – South: Art in the Time of Omicron
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Twin Cities: A Certain Solidarity
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New York State: Hudson Valley & Capital Region Funding Roundtable
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Dramatists Diary – March/April 2022
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New Guild Members as of January 15, 2022
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Guild News – March/April 2022
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Classified Ads – March/April 2022
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Nikkole Salter: Why I Joined the Guild
In September, our Central Pennsylvania Ambassador Cindy Dlugolecki took her play about the U.S. Constitution to the U.S. Constitution Center for a special performance. I sat down with Cindy to ask how she did it and what inspired her.
Marjorie Bicknell: You adapted The Hand that Holds the Quill from a book. How closely did you stick to the source material and if you departed why did you do so?
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(1949-2023) received the Joseph Jefferson Award and the John Gassner Memorial Playwrighting Award, won the TNTPops! New Play Contest, and was nominated for the Weissberger Prize. She is published by Dramatic Publishing, Heartland Plays, and ARTemis Arts. She is the founder of Playwrights Alliance of PA, Marathon Acts, and was president emeritus of Philadelphia Dramatists Center.