The Musical Theatre Issue (2018)
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Masthead of the Musical Theatre Issue (2018)
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Editor’s Notes on The Musical Theatre Issue (2018)
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Dear Dramatist: November/December 2018
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What Rhyme Do You Admire from a Musical Theatre Lyric?
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Adrienne Kennedy: Ten Questions
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The Craft with Lindsey Ferrentino
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How Do You Approach Bookwriting a Musical as Opposed to a Play?
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The Book of Norman, Part 2
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What Should Dramatists Know About Working with Orchestrators?
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On Orchestrations
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When You're Writing Lyrics, How Important is Finding the Perfect Rhyme?
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Rhyme with Sondheim
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The Assignment Conspiracy: Dramatists & the So-Called “Work-Made-For-Hire”
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From the Desk of DGF: The Musical Theatre Issue
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Atlanta: Essential Theatre
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Austin/San Antonio: Dr. Lisa B. Thompson
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Baltimore: Stephanie Ybarra
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Colorado: Theater 29
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Kentucky: Bill McCann
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Los Angeles: A Short Primer on Rewriting
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Michigan: How to Write the Political Play
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Minneapolis/St. Paul: Janet Preus
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New England – South: Championing Fellow Dramatists
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Upstate New York: Two New Regional Ambassadors
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North Carolina: After the Count
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Ohio: Regional Survey and Member Spotlight
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Portland: The Event of a Lifetime
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Utah: Great Salt Lake Fringe Festival
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Dramatists Diary – November/December 2018
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Classified Ads – November/December 2018
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New Guild Members as of September 15, 2018
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Daniel Goldfarb: Why I Joined the Guild
For me, each Dramatists Guild Conference is the event of a lifetime. The fellowship you find there as well as the heightened discussions are meaningful for much longer than three days. This last conference in New York was no exception.
But please don’t take my word for it. Instead, I’d like you to hear the words of a brand new member who attended the conference for the very first time.
Let me introduce Holly Yurth Harmon. I met up with her after the conference to see what her impressions were.
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is an award-winning playwright who hails from Portland, OR. She’s been a participant at Seven Devils Playwriting Conference; a Finalist for the Rosenthal New Play Prize, Seattle Rep’s New Work Festival, Ojai Playwrights Conference, Orlando Shakespeare Festival, JAW, New Harmony Project, Play Labs (Playwright’s Center Minneapolis) and has had productions from Bangalore, India to New York. For the past seven years, she’s been teaching playwriting (a program she devised) at MacLaren Correctional Facility, which serves men aged fourteen to 26.