The Season In Review Issue 2020-2021
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Masthead of the Season in Review 2020/2021 Issue
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Editor’s Notes on the Season In Review 2020-2021 Issue
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Why Is There No Print Edition of The Season in Review Issue?
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Dear Dramatist: July/August 2021
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Vickie Ramirez: Ten Questions
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Carolyn Dunn, PhD: What I'm Teaching Now
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Hawai’i Season in Review 2020/21
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California - South Season in Review 2020/21
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California - North Season in Review 2020/21
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Oregon Season in Review 2020/21
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Washington State Season in Review 2020/21
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Utah Season in Review 2020/21
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Austin/San Antonio Season In Review 2020/21: A Season (To End All Seasons!) In the Rearview
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Dallas/Ft. Worth Season in Review 2020/21
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Houston Season in Review 2020/21
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Minneapolis/St. Paul Season in Review 2020/21
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Chicago Season in Review 2020/21: A Season in Transition
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Michigan Season in Review 2020/21
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Kentucky Season in Review 2020/21
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Gulf Coast Season in Review 2020/21
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Puerto Rico Season in Review 2020/21: Colaborando a Través De Los Desafíos
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Florida Season in Review 2020/21
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Atlanta Season in Review 2020/21
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North Carolina Season in Review 2020/21
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DC Season in Review 2020/21
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Pittsburgh Season in Review 2020/21
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Philadelphia Season in Review 2020/21: Empty Stages, Full Schedules
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New Jersey Season in Review 2020/21
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New York State Season in Review 2020/21
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New England West Season in Review 2020/21
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New England East Season in Review 2020/21
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London, UK Season in Review 2020/21
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Classified Ads - July/August 2021
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Dramatists Diary: July/August 2021
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New Guild Members as of May 15, 2021
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What the Guild Means to Me with Christine Toy Johnson
Virtuality and the digital medium have challenged artists across the globe to redefine theatricality and, by extension, playwriting. New forms of devising art demand new ways of approaching it. In only a year, we have seen theatre adapt and transform to the necessities of its practitioners, resilient to new modalities and technologies. Theatre has always been an ever-changing craft, but more so in the pandemic. In Latin America there is a vast migration from face-to-face theatre to digital and virtual platforms, where out of necessity theatre companies have moved to prerecorded or live presentations.
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is a multi-disciplinary actor and co-founder of the virtual theatre group La V. He is also the developer of the Sequential Playwriting Technique and a comics reviewer for Mikey’s Comic World.
Michael Vélez es actor de múltiples disciplinas y cofundador del grupo teatral virtual La V. También desarrolló la técnica de la dramaturgia secuencial y es crítico de cómics para Mikey’s Comic World.