Vol. 24 No. 3
Jan/Feb 2022
The Motivation Issue
Return to Issue Archive-
Masthead of the Motivation Issue
-
Editor’s Notes on The Motivation Issue
-
Remembering Stephen Sondheim
-
Keenan Scott II: Ten Questions
-
Anita Gonzalez: What I'm Teaching Now
-
On Motivation
-
A Recipe for Motivation
-
A List – Jan/Feb 2022
-
Writers Motivating Writers
-
End of Play 2022
-
From the Desk of Dramatists Guild Institute – Jan/Feb 2022
-
From the Desk of Director of Council Programs – Jan/Feb 2022
-
California – North: Playwriting as Political Action
-
Chicago: Reflections On Online Development Processes
-
Dallas/Fort Worth: Bring the Play to Life
-
DC: Making Up Stories with Bob Bartlett
-
Florida: We’re Getting Back to Business
-
Gulf Coast: Returning to the Stage
-
Houston: The Slow Return to the Houston Stage
-
New England – West: Being Together
-
New Jersey: Out of the Confines of Zoom
-
Puerto Rico: Uniendo Nuestras Voces (Uniting Our Voices)
-
Southwest: We Persist
-
Tennessee: In Memory of Zack Allen
-
Washington State: Hidden Venues
-
Dramatists Diary – Jan/Feb 2022
-
New Guild Members as of November 15, 2021
-
Guild News – Jan/Feb 2022
-
Classified Ads – Jan/Feb 2022
-
Larry Dean Harris: Why I Joined the Guild
I have a confession. In the past three years, I’ve devoted only a handful of hours to playwriting, or any sort of creative writing, for that matter. My list of reasons is long (and valid!) but there’s still a part of me that feels guilty, lazy, and anxious. I feel like a fraud. How can I even call myself a playwright if I can’t motivate myself to write a play?
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!
Amelia French
is a playwright, librettist, and editor of The Dramatist.
Related Dramatist(s)