The Musical Theatre Issue (2018)
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Masthead of the Musical Theatre Issue (2018)
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Editor’s Notes on The Musical Theatre Issue (2018)
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Dear Dramatist: November/December 2018
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What Rhyme Do You Admire from a Musical Theatre Lyric?
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Adrienne Kennedy: Ten Questions
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The Craft with Lindsey Ferrentino
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How Do You Approach Bookwriting a Musical as Opposed to a Play?
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The Book of Norman, Part 2
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What Should Dramatists Know About Working with Orchestrators?
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On Orchestrations
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When You're Writing Lyrics, How Important is Finding the Perfect Rhyme?
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Rhyme with Sondheim
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The Assignment Conspiracy: Dramatists & the So-Called “Work-Made-For-Hire”
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From the Desk of DGF: The Musical Theatre Issue
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Atlanta: Essential Theatre
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Austin/San Antonio: Dr. Lisa B. Thompson
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Baltimore: Stephanie Ybarra
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Colorado: Theater 29
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Kentucky: Bill McCann
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Los Angeles: A Short Primer on Rewriting
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Michigan: How to Write the Political Play
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Minneapolis/St. Paul: Janet Preus
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New England – South: Championing Fellow Dramatists
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Upstate New York: Two New Regional Ambassadors
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North Carolina: After the Count
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Ohio: Regional Survey and Member Spotlight
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Portland: The Event of a Lifetime
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Utah: Great Salt Lake Fringe Festival
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Dramatists Diary – November/December 2018
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Classified Ads – November/December 2018
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New Guild Members as of September 15, 2018
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Daniel Goldfarb: Why I Joined the Guild
New York is a big state. I live way over in the western corner of it, which makes it hard to reach members in other regions. I’m thrilled to announce the appointment of two regional ambassadors who are going to help get that job done: Donna Stuccio in Syracuse and Bryon Nilsson in Albany. There were so many stellar applicants for these positions that geography became the priority in selection. By having the three of us dot the state, we’ve got the three major regions of Greater New York State covered: Western New York, Central New York, and Capital District—which includes Upstate New York.
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’s work has been seen in 47 states and on five continents. Plays include Brilliant Works of Art (Kilroys List) and Elevator Girl (O’Neill and Princess Grace finalist). She’s also a Primus and Blackburn Prize nominee and three-time winner of the Emanuel Fried Award for Outstanding New Play.