Vol. 24 No. 3
Jan/Feb 2022
The Motivation Issue
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Masthead of the Motivation Issue
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Editor’s Notes on The Motivation Issue
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Remembering Stephen Sondheim
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Keenan Scott II: Ten Questions
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Anita Gonzalez: What I'm Teaching Now
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On Motivation
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A Recipe for Motivation
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A List – Jan/Feb 2022
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Writers Motivating Writers
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End of Play 2022
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From the Desk of Dramatists Guild Institute – Jan/Feb 2022
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From the Desk of Director of Council Programs – Jan/Feb 2022
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California – North: Playwriting as Political Action
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Chicago: Reflections On Online Development Processes
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Dallas/Fort Worth: Bring the Play to Life
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DC: Making Up Stories with Bob Bartlett
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Florida: We’re Getting Back to Business
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Gulf Coast: Returning to the Stage
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Houston: The Slow Return to the Houston Stage
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New England – West: Being Together
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New Jersey: Out of the Confines of Zoom
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Puerto Rico: Uniendo Nuestras Voces (Uniting Our Voices)
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Southwest: We Persist
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Tennessee: In Memory of Zack Allen
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Washington State: Hidden Venues
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Dramatists Diary – Jan/Feb 2022
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New Guild Members as of November 15, 2021
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Guild News – Jan/Feb 2022
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Classified Ads – Jan/Feb 2022
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Larry Dean Harris: Why I Joined the Guild
With many theatres still taking tentative steps, it’s worth identifying hidden venues. After participating in the West Coast Footlights last March, Gretchen O’Halloran did just that, showing the same tenacity, skill, and determination as the heroine in her play.
“You have to think outside the box,” says O’Halloran. “What is your play about? Who might need it? Where can it go next?”
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Hannah Kohl
is a composer/lyricist/bookwriter, former DG Fellow, and a papercutting artist with work profiled in The New Yorker, featured in The New York Times, and hailed as an “everyday visionary” at the inauguration of One World Observatory. She is a TEDx Broadway speaker alum, arts advocate and teaches workshops worldwide. www.athousandtinysnips.com
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