The Musical Theatre Issue (2018)
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Masthead of the Musical Theatre Issue (2018)
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Editor’s Notes on The Musical Theatre Issue (2018)
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Dear Dramatist: November/December 2018
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What Rhyme Do You Admire from a Musical Theatre Lyric?
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Adrienne Kennedy: Ten Questions
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The Craft with Lindsey Ferrentino
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How Do You Approach Bookwriting a Musical as Opposed to a Play?
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The Book of Norman, Part 2
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What Should Dramatists Know About Working with Orchestrators?
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On Orchestrations
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When You're Writing Lyrics, How Important is Finding the Perfect Rhyme?
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Rhyme with Sondheim
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The Assignment Conspiracy: Dramatists & the So-Called “Work-Made-For-Hire”
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From the Desk of DGF: The Musical Theatre Issue
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Atlanta: Essential Theatre
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Austin/San Antonio: Dr. Lisa B. Thompson
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Baltimore: Stephanie Ybarra
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Colorado: Theater 29
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Kentucky: Bill McCann
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Los Angeles: A Short Primer on Rewriting
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Michigan: How to Write the Political Play
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Minneapolis/St. Paul: Janet Preus
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New England – South: Championing Fellow Dramatists
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Upstate New York: Two New Regional Ambassadors
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North Carolina: After the Count
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Ohio: Regional Survey and Member Spotlight
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Portland: The Event of a Lifetime
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Utah: Great Salt Lake Fringe Festival
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Dramatists Diary – November/December 2018
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Classified Ads – November/December 2018
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New Guild Members as of September 15, 2018
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Daniel Goldfarb: Why I Joined the Guild
This roundtable took place in the Mary Rodgers Room at the Dramatists Guild of America on October 9, 2018. At the last minute, Stephen Sondheim could not join the panelists in person, so he sent his questions to be read aloud. After this transcript was made, Mr. Sondheim and the panelists included a few additional remarks. The panelists were chosen by Mr. Sondheim to cover most of the predominate styles of contemporary lyric writing as well as a playwright who writes in rhyming verse.
For clarity, the panelists say “Steven” when referring to Steven Sater, “Stephen” when referring to Stephen Schwartz, and “Steve” when referring to Stephen Sondheim.
Stephen Sondheim: Thank you all for taking part in this roundtable. To begin with I want to urge everyone to speak in rhyming couplets so that the readers will be convinced that we know what we’re talking about. [Laughter]
Let me ask each of you if you remember when you first became aware of words sounding alike? Was it nursery rhymes? Dr. Seuss? Games such as One Potato or rope skipping or is that just simply my ancient generation? Was it pop songs?
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is a Tony-nominated lyricist and composer. Broadway: Mr. Saturday Night (lyrics); On The Twentieth Century (additional lyrics); Hands On A Hardbody (lyrics, co-composer); Bring It On (co-lyricist); High Fidelity (lyrics). TV: Peter Pan Live (NBC; Additional Lyrics); “The 2014 Kennedy Center Honors” (CBS; special lyrics) for the Tom Hanks Tribute; The Wonder Pets (Nick, Jr). She is the first woman to win the Frederick Loewe Award for Outstanding Composition and is the first woman to serve as President of the Dramatists Guild.
has adapted four French verse comedies: The Liar, The School For Lies, The Heir Apparent, and The Metromaniacs.
won two Tony Awards, a Grammy Award, as well as an Olivier Award for Spring Awakening. Other musicals include Alice By Heart, The Nightingale, Prometheus Bound, Some Lovers, and Murder at the Gates. Plays include: New York Animals, Carbondale Dreams, and Arms on Fire. Currently: a new musical series for Amazon.
wrote the music and lyrics for the current Broadway hit Wicked and has also contributed music and/or lyrics to Godspell, Pippin, The Magic Show, The Baker’s Wife, Rags, Children Of Eden, and The Prince Of Egypt.